Dodecaphonism and popular musica in South America. The twelve-tone tango
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Keywords

Música popular argentina
Tango
Dodecafonismo Argentine popular music
Tango
Dodecaphonism

How to Cite

Rodríguez, E. J. (2024). Dodecaphonism and popular musica in South America. The twelve-tone tango: Eduardo Rovira . Neuma (Talca), 2, 130–149. https://doi.org/10.4067/S0719-53892023000200130

Abstract

In this paper, I present a study of the tango Serial dodecafónico (1963) by Eduardo Rovira (1925-1980), composed in accordance with the rules of Schoenberg’s dodecaphonic technique, as stated by the composer himself. Through a structural analysis of the piece, we have endeavored to determine the nature of the serial strategies employed and their relationships with some of those utilized by Schoenberg. As a result of this work, the idiosyncratic uses of the technique are also described, ultimately being the most relevant aspects of the piece.

https://doi.org/10.4067/S0719-53892023000200130
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