The organization of the height in the work “Three Preludes” by the composer Pablo Cetta

Abstract

Contemporary musical production is described and analyzed in considerable texts referring to the analysis of compositional techniques, formal aspects and specific works, among some of the approaches. However, there is a considerable volume of productions yet to be analyzed and revealed. On the basis of this reflection, the present work aims to deepen in the compositional proposal of Pablo Cetta, internalizing in his work "Tres Preludios" as a model of study. Two sections are considered in the article: first, the conceptualization of his compositional techniques and, second, the analysis of the height in his work "Tres Preludios", where specific moments of the score are described. Theorizing about Pablo Cetta's work exceeds the purposes of this first work, the artistic density of his proposal displays heterogeneous possibilities of analysis, leaving still pending an integral work of his musical production.