Luigi Nono, El Caminante Dialéctico

Abstract

This paper examines how the composer faces address a compositional language at a particular point in history, rejecting the tendency to justify the use of serial technique as an ideological basis and adopting a creative approach that reflects a reality in which the human conflicts are a product of society. It exemplifies this approach through numerous examples that support their conception of the sound material is an objective reality, and the perception of sound generates a deeper understanding of the world and of men.