Jazz y creatividad

Keywords

jazz
musical language
creativity jazz
lenguaje musical
creatividad

How to Cite

Cachinero Zagalaz, J., del Valle de Moya Martínez, . M., & Zagalaz Sánchez, M. L. (2010). Jazz y creatividad. Neuma (Talca), 1, 58–74. Retrieved from https://neuma.utalca.cl/index.php/neuma/article/view/166

Abstract

This article is the result of an investigation focused in showing the creativity contained in Jazz during the 1940’s. The peculiars essence and personality of Jazz join creativity and musical improvisation, sharing the same elements we can find in classical music. It’s possible to prove than Jazz improvisation depends on creativity, originality and the Jazzman musicianship. An Improviser controls the Jazz vocabulary, knows the tradition and is capable of enrich it and innovate it with his owns musical skills and creative capacities.

References

Alperson, P. (1984). “On Musical Improvisation”. En The Journal of Aesthetics and Art Criticism, Vol. 43, Nº. 1, pp. 17-29.

Berendt, J, E. (1962). El jazz: su origen y desarrollo. México: Fondo de Cultura Económica.

Brown, R. (1981). “How Improvised is Jazz Improvisation?”. En Jazz Research Papers (NAJE), pp. 22-32.

Brown, L. B. (Autumn, 1996). “Musical Works, Improvisation, and the principle of Continuity”. En The Journal of Aesthetics and Art Criticism, Vol. 54, No. 4, pp. 353-369.

Cameron, W.B. (Dec., 1954). “Sociological Notes on the Jam Session”. En Social Forces, Vol. 33 Nº. 2, pp. 177-182.

Deveaux, S. (Spring, 1989). “The Emergence of the Jazz Concert, 1935-1945”. En American Music, Vol. 7, Nº. 1, Special Jazz Issue, pp. 6-29.

Deveaux, S. (1991). “Constructing the Jazz Tradition: Jazz Historiography”. En Black American Literature Forum, Vol. 25, Issue 3, Literature of Jazz Issue, pp. 525-560.

Deveaux, S. (1997). The Birth of Bebop. A Social and Musical History. Los Ángeles: University of California Press.

Eco, U. (2001). La definición del arte. Barcelona: Destino.

Hemsy de Gainza, V. (1993). La improvisación musical. Ricordi Americana. Buenos Aires.

Hodeir, A. (1956). Jazz: Its evolution and essence. New York: Grove Press.

Hormigos Ruiz, J. (2008). Música y sociedad. Análisis sociológico de la cultura musical de la posmodernidad. Madrid: Autor.

Kernfeld, B. (2002). “Improvisation”, Grove Music Online ed. L. Macy (Accessed 13 March 2008), http://www.grovemusic.com

Panassie, H. (1939). Hot-jazz. Guía de la música swing. Santiago: Editorial Ercilla.

Peplowski, K. (Sep. – Oct., 1998): “The Process of Improvisation. Organization Science”. En Special Issue: Jazz Improvisation and Organizing, Vol. 9, Nº. 5, pp. 560- 561.

Porter, L. (1992). Jazz: from its origins to the present / by Lewis Porter and Michael Ullman with Ed Hazell. Upper Saddle River: Prentice Hall.

Schuller G. (1968). Early Jazz. Its Roots and musical development. New York: Oxford University Press.

Schuller G. (1989). The Swing Era. The Development of Jazz 1935-1945. New York: Oxford University Press.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Copyright (c) 2010 Neuma (Talca)