L. Merino Montero, “Beyond nationalism. An approach to composer Pedro Humberto Allende Sarón (1885-1959) from the reception of two of his works in Chile and abroad: La voz de las calles for symphony orquestra (1920) and the doce tonadas de caracter popular chileno for piano (1918-1922)”, Neuma (Talca, En línea), vol. 2, pp. 12–43, Dec. 2016.